Steampunk’d Encore Edition: Doctor Faustus

Back by popular demand, my steampunk series returns to feature Lionface Production‘s Dr. Faustus!

The poster for this amazing show! Features Zach Navarre as Doctor Faustus and Kat Moran as Mephistopheles

That’s right, for Lionface Production’s second show of the season, Christina Hoekstra directed a steampunk version of Christopher Marlowe’s Doctor Faustus. For those unfamiliar with this work, the story revolves around Dr. Faustus, an intelligent doctor who has become bored with the every day sciences and decides to try his hand at necromancy. He is guided by a Good and Bad Angel, each pulling him one way or another. He summons Mephistopheles and Lucifer, who agree to give him 24 years on earth with Mephistopheles as his personal servant. Faustus ultimately wastes this power doing nothing worthwhile and is ultimately damned to hell. In this version, the magic and power that Faustus receives is portrayed through steampunk. Emphasis was put on the various timepieces and clockwork in the show, symbolizing Faustus’s time running out. In this production, I played one of the scholars and the part of Robin the Clown, one of the comedic relief characters in the show.

Our set was simple, yet very cool. We performed the show in a church, the same as when Lionface did Murder in the Cathedral, and the it ended up really working out in our favor. The set was designed and built by the very talented Meghan Johannes, who was able to pull it off on an incredibly small budget and still make it look super professional.

One of the coolest set pieces were these blocks that Johannes made. I wish I would have gotten a better photo of them, because they were seriously boss. You can’t tell by this photo, but behind each block is a hole lined with what looks like a cog, so that props can actually be stored inside the blocks. Each block also had handles, wooden gears painted gold and/or copper, and the copper wiring seen in this photo. One of the blocks was raffled off, but unfortunately I didn’t win one.

Another unique piece was Mephistopheles’ cane (also raffled off, also didn’t win, sad face) which featured a time piece as the hilt. Again, I wish I had a better photo, it was much cooler in person. It was tailored to be the length of the average cane and was able to be swung around without worrying about any pieces falling off (including the copper wiring you see towards the middle).

What could make a steampunk play even cooler than it already is? Throw in an awesome sword fight! To see a video of this check out my Facebook page. I wish I could say that was me doing the sword fight, but alas, it was another awesome ginger. And yes, those are in fact real swords being used, so it took a lot of stage combat choreography and practice to be able to pull it off without causing injury to one another. By the end of it, these two had the fight down so well that when one would make a mistake, the other would immediately adjust to make it safe again without having to stop the fight. Talent, plain and simple.

Myself as Robin and my cohort, Griffin Coldiron, as Dick

One of my most favorite part of the shows was working with this guy, Griffin. One of the best things that can happen in a show is to get paired up with an actor that you can really work off of and that definitely happened for me in this show. So a special shout out to Dick, thanks for rocking out the show with me! “Oh brave, an ape!”

And that’s it for my steampunk series! I may still post steampunk-esque photos now and then, especially since I’ve been getting more into jewelry making as of late, but this particular chapter of Halloween/Faustus steampunk is closed (at least until next year’s Halloween). In coming entries, I’ll be doing some updates on Stand Up Toledo 13, Already Indie, and the other happenings in my life. I hope you enjoyed reading!

“Bene disserer est fines logices. (The end of logic is to dispute well.)” – Christopher Marlowe, Doctor Faustus

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Steampunk’d: The Accessories

With any great costume comes great accessories. Or at least decent ones. You can decide what you consider them after you see the ones that I did to accent my steampunk costume. All except for the awesome chest piece prosthetic, which will be my third and last installment of this series. So let’s get to it.

In any makeup job I do, I try to accent the eyes the best I can. As you may have seen in my earlier entry, I had a large prosthetic eye piece, so I wanted to do something simple with the other eye as to not distract away from the piece. I went with a simple brown eyeliner color and flared out the corners a bit. However, the accessory part is the three golden gears that I spirit gummed along my cheekbone. Simple, but it ended up looking really cool.

The next piece is the hat. It was just a simple, $5 black hat that I got from Spirit Halloween. The black, ribbon band was already attached to it when I bought it. I was unable to find any feathers that I liked, until I came across a pair of cheap, black feather earrings. I took the earrings apart and, using craft glue, attached it to the hat. I then used some of the gears that I got from Costume Holiday House and one from the package of gears I got from Hobby Lobby, to complete it. Again, nothing too fancy, but this particular piece actually captured the attention of my director for Dr. Faustus. I will actually be wearing it as the part of Robin in the steampunk version of the show, put on by Lionface Productions. The next couple of pieces will also be featured in the show, but more on that in a later entry.

Now we get into the more complicated accessories. This choker started out as a blue and white Victorian portrait jewelry piece that I got from Wal-Mart. I started by repainting it so that it would match the copper and gold color scheme that I was going for. I then attached it to a piece of black ribbon using a mixture of black thread and craft glue. I had to sew it on to keep it attached and the craft glue to keep it in place. I then used some copper chain that I had gotten with jewelry piece and cut off two parts, which I sewed on. I added a clasp and loop to the back and accented it with a couple of gears where it clasped at so that the back was decorated as well.

Finally, I created a handflower out of some of the remaining chain and gears (again, one from each package). This was a little more tricky to make. The ring part is fit to my size and is made from the chain, which wraps around my middle finger and connects at the gear. I then made the wrist part using one of the large gears and doing basically the same as the ring, only this time I split the chain and attached it with a clasp. I then measured out three lengths of chain which I used to attach the two pieces together. I used ordinary black and brown thread to attach all the pieces, and then used a layer of copper paint to help lay down the stray pieces and make it look more metallic. It took me a couple of hours to get it the way I liked it, but out of all the pieces that I made this is probably the most impressive.

Play-Doh enjoys the hat the most

And that pretty much covers it for the accessories. As stated before, my last installment is how I made the chest piece and put everything together. Thanks for reading!

“If you want something you can have it, but only if you want everything that goes with it, including all the hard work and the despair, and only if you’re willing to risk failure.” – Philip Pullman, Clockwork